read reader Ë Sweet Tooth Hardcover ï ian mcewan

doc ↠ Sweet Tooth ´ Ian McEwan

Ncy is determined to manipulate the cultural conversation by funding writers whose politics align with those of the government The operation is code named Sweet Tooth Serena a compulsive reader of novels is the perfect candidate to infiltrate the literary circle of a promising young writer named Tom Haley At first The opening paragraph of Sweet Tooth reveals the story's end which is a tidy way of compelling you dear reader to focus on the important parts the middle and such You know it ends badly so you can't possibly be disappointed; therefore don't worry about itBut then you remember that you are reading Ian McEwan master of unreliable narrators and oft tricksy endings and you wonder am I being told the truth of the ending as it is or the truth as the narrator would have me see it And suddenly you are on edge tense looking for clues Oh Ian you clever clever manThe plot is playful a young co ed Serene Frome rhymes with Plume flops a bit in her maths degree and flounders after graduating Cambridge in 1972 Although well bred and well read Serena's ambitions are limited But she is recruited by way of an affair with a retread professor into the secretarial pool of MI5 Seeing her pliability borne of boredom and upper middle class ease her superiors envelope her in an undercover operation code named Sweet Tooth Sweet Tooth is a cultural op its mission is to identify and promote British writers who demonstrate anti Communist philosophies The writers are led to believe a literary foundation is behind the generous financial support and their only responsibility is to write away honing their brilliance Serena's assignment is to recruit a young writer and English professor Tom Haley into the scheme It's not such a difficult mission as it's hard to imagine any struggling writer turning down a pot of cash from a well known foundation which has just stroked his ego until he is as content as a cat with a bowl of cream But Serena manages to muck things up royally by falling in love with her target Sweet Tooth isn't really a Cold War cloaks and codes thriller as much as its pretty and pretty vacant heroine would love it to be she's a simple girl who just wants to have fun Or if she can't have that she'd be happy curling up in her dreary bedsit with a novel Jacueline Susann is just as good if not better than Jane Austen thank you very much It's a slowly unraveling set piece chock full of deceptive aplomb in which everything turns to custard with surreal gleeUnfortunately there are all sorts of draggy parts in the middle But don't you dare skim because you'll miss the clues that'll catch you in a cross double cross that I dare not spoil here And lots of author self indulgence as McEwan weaves in snippets of his short stories and real life characters from his early career; it's a satirical rewriting of the author's own history The short stories within the story are terrific and the spy agency funded rise and hilariously ironic fall of a writer based on a true story is fascinatingHang out with the fact that Serena stops sounding like a young woman coming of age in the early 1970s and starts sounding the way a man would imagine a young woman would think and behave; McEwan is particularly adept at writing women and I couldn't uite accept a failure here Blue's Clues File away as interesting asides but let off the hook the red herrings of the IRA and Russian double agents and jilted MI5 bureaucrats They won't get you anywhere And sad is the case of Tony Canning one of the most interesting subplots the one that could have turned this book from writer's folly into legit thriller his story dead ends with nothing but a nosebleed to show for all the troubleI'm euivocating I can't uite commit to saying that I think Sweet Tooth is a great book I found it a bit too smug to buy a theme of the power of literature as some reviews have claimed there was too much stifled laughter and indulgent sweet tooth ness for something so grand It also wasn't that great of a thriller which it doesn't pretend to be but again other reviews have found a John Le Carre note that I can't carry But it is terrifically entertaining all plummy accents and witty repartee that make Americans swoon in eual measure for Downton Abbey and 007 and McEwan's fine fine writing is irresistible And then there is that Absolutely Fabulous ending Enjoy Sweet Tooth Seriously Don't read heaps into it just enjoy the read

doc Sweet Tooth

Sweet ToothShe loves his stories Then she begins to love the man How long can she conceal her undercover life To answer that uestion Serena must abandon the first rule of espionage trust no one Once again Ian McEwan's mastery dazzles us in this superbly deft and witty story of betrayal and intrigue love and the invented sel The American edition of Sweet Tooth Ian McEwan's latest novel has a delightful cover an image of a woman standing at a train station looking over the tracks and into the distance The image is in sepia and the font in which the author and the title are printed have obviously been carefully prepared to resemble the classic paperback covers from the 70's The effect is uite delightful and definitely works It is also dedicated to the late Christopher Hitchens brought that fine man back to my mind The last novel by McEwan that I've read was The Innocent which is a curious coincidence both Sweet Tooth and The Innocent are set during the Cold War The Innocent is an espionage drama set in West Berlin where the western powers plan on digging a tunnel to to East Berlin to tap the phones to the Soviet High Command It is centered around Leonard and Maria an English agent and a German woman The novel is uite engrossing and I prefer it to much of McEwan's later works yet somehow it did not uite get the recognition that they did Sweet Tooth is narrated by Serena Frome rhymes with Plume and takes place in Britain of the 1970's Serena is an avid though hardly critical reader and though authorial machinations lands a job at the MI5 Since the world is divided by the Cold War British government wants to fight the communist propaganda by giving financial help to artists with an anti communist bent thereby influencing their will to create and relax the material worries Of course none of this is official and none of the artists both inside and outside Britain have any idea that they are being supported by the MI5 an it is crucial that they do not learn this Sweet Tooth is the codename the MI5 gave Thomas Halley a rising British writer and Serena is employed to evaluate him and if he gains her approval to carry out the operationWhile McEwan is without a doubt an author known to write good prose the novel falls a bit short in terms of storytelling and at the same time it does not The outcome is revealed at the beginning it is no secret and is made clear right in the first sentence and the main characters feel like devices used by the author to discuss politics and the state of Britain at that particular point in time Since both Serena and Thomas are passionate about literature one a reader the other a writer their characters at times feel as if they serves as a device for the author to contrast two different viewpoints on certain issues not two authentic human beings that interact with one another The end I felt was satisfying but tied everything with a bow and one feels that the novel would have worked better as a novella or even a short story Yet with all its flaws Sweet Tooth is a clever piece of work which gives its author a way of protecting himself against these criticism To reveal its secret would be to spoil it so I included the spoiler material in its appropriate sectionview spoiler At the end of the novel the reader discovers that the text has not been written by Serena but by Thomas Haley and that most of the narrative was in fact projection and guessing on his part Descriptions of Serena's life before she met Tom are just him imagining it taking the few pieces of information that he could get and mixing them with his artistic and creative vision By employing this metafictive approach McEwan can intentionally make some things and events ring inauthentic as there us no authentic narrator we are reading a novel written by a man narrated by a woman who is revealed to be a man pretending to be that woman Pretty fun stuff but didn't really blow my mind this time hide spoiler

Ian McEwan ´ Sweet Tooth pdf

read reader Ë Sweet Tooth Hardcover ï ian mcewan ✓ In this stunning new novel Ian McEwan's first female protagonist since Atonement is about to learn that espionage is the ultimate seduction Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5 The year is 1972 The Cold War is far In this stunning new novel Ian McEwan's first female protagonist since Atonement is about to learn that espionage is the ultimate seduction Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5 The year is 1972 The Cold War is far from over England's legendary intelligence age I've read all of McEwan's short stories and novels and it's only now that I can see why his endings bother some readers including readers like his main character Serena And if you are a different and certain kind of reader one unlike Serena you will have criticisms of his narratorial voice but at the end McEwan has an answer for every single one of them from why Serena sounds the way she does to those paddings of the backward glance uote from the book He has anticipated them all and answered them all so the review I was writing in my head before I read the last chapter is now irrelevantI have to admit that I felt a thrill and was excited for the first time on page 289 out of 301 when I realized what he was doing but that momentary feeling doesn't take away from what I thought was the biggest flaw of the book the aforementioned 'padding' which just doesn't read as interesting as it could'veI can't decide if this book is annoying clever or both