PDF Ç BOOK Understanding Comics The Invisible Art FREE

PDF æ Understanding Comics The Invisible Art ´ Scott McCloud

Understanding Comics The Invisible ArtThe bestselling international classic on storytelling and visual communicationYou must read this book  Neil GaimanPraised throughout the cartoon industry by such luminari I finished reading it for my comicsYA Graphic novels class this summer 61616 and now again 8817 I'll read this and use it to help people understand comics every year It's the primary source though there are many good books coming out What I have to add is that I had a fun conversation with my class about one insightful claim McCloud makes that the simpler and cartoony a comic representation is ie a smiley face the universal it will be the we will say that's me In fiction classes I was taught to be as specific and detailed as I could be about characters and places McCloud says that realistic depictions of characters such as in superhero comics are actually less relatable than simple characters such as Charlie Brown or Nancy or most manga Less is in a way That's like suggesting that minimalism something like Raymond Carver's stories or Ernest Hemingway's stories invite readers in because we as readers have space to be the characters to connect with them Maybe this is less true for non comics fiction though But McCloud is interestingReview from before I've used this book many times to teach comics basics It's the best book I've found for doing this and it's in a comics format with McCloud as the cartoony and erudite narrator While thoroughly practical it's also the most philosophical and thorough and at the same time efficient guide to the craft McCloud also wrote Making Comics for comics artists This book is one of the classics of comic history one of its great books for helping you understand and appreciate comics for their potential complexity as an hybrid art form without uestion If you want to know how comics are made in all its range of possibilities and if you want to take see why this interrelated telling of visuals and words should be taken seriously as art and literature and cultural commentary and entertainment this is the book for you

EBOOK Understanding Comics The Invisible Art

PDF Ç BOOK Understanding Comics The Invisible Art FREE ó The bestselling international classic on storytelling and visual communicationYou must read this book — Neil GaimanPraised throughout the cartoon industry by such luminaries as Art Spiegelman Matt Groening and Will Eisner Scott McCloud's Understanding Comics is a sMponents and major cultural significance Explore the secret world between the panels through the lines and within the hidden symbols of a powerful but misunderstood art fo it's one of the best examples i've found of someone writing so specifically about a topic that the observations and implications become absolutely universalthink about it hamlet is completely consumed in his little world and the stakes are all about what will happen to denmark and only denmark and centuries later we still perform the play and read it and think that that is us up there struggling with our problems just with a different namethis is what mccloud achieves here he is so fixated and clear in talking about comics that the scope of his thought travels to all corners of creativity art and human endeavorthis is not only a testament to the validity of comics as an artform and mccloud's mastery of it but also to the microscopic differences between the various supposedly discreet arts and vocabularies thereof when viewed from the vantage of a close and sensitive read of any one of them in particulara book that renews your faith in people's ability to communicate with and 'understand?' each other

Scott McCloud ´ Understanding Comics The Invisible Art READER

Es as Art Spiegelman Matt Groening and Will Eisner Scott McCloud's Understanding Comics is a seminal examination of comics art its rich history surprising technical co Holy shit I'm starting a graphic novel book club This is our inaugural book and I'm so excitedWe had our first meeting today and in addition to saying terribly intelligent things about comics and eating mini cupcakes and laughing at my dogs we also picked a name for our accidentally all female group Jugs Capes I know you're very jealousAnyway I was extremely impressed by this book I can tell that Scott McCloud thinks that he is terrifically important and probably a genius but as often happens to me I was willing to believe that at least he was smart enough to have earned the right to talk about all of this So while there were a few points when I found him a bit condescending a bit cloyingly didactic on the whole I learned a lot about comics and how to think about them and that was great I though I was going to write about some of the things I learned but it's late and I'm tired and honestly one of the things he does best is really use the illustrations and the text in the best symbiotic way enhancing and augmenting one another throughout and so it seems like it would be reductive and dismissive for me to try to summarize his points with words alone So read the book And then you'll get it for yourselfOh but except for one thing which is so cool I just have to share it He talks a lot about how the reader is complicit in the telling of a comic story because so much happens between the panels in the gutter where the reader has to invent what is going on to connect one image to another He uses as an example a panel with an axe wielding man chasing another guy and shouting Now you're going to die Then the next panel is the outside of a building with only an Aieeee screaming out Anyway see my point how much extra describing I have to do just to get to what he does with like two pictures? he then says To kill a character between panels is to condemn him to a thousand deaths See? Because each reader will make hisher own decision about when and how the axe falls how much blood comes out how many strikes are needed the specific choreography of the death Amazing